It’s only fitting that the Basilica Soundscape festival takes place as summer turns to fall, as this festival is much different than the large-scale festivals that take place across the country during the summer. Not only is it’s location in the industrial Basilica Hudson building in Hudson, New York a much more intimate affair in set up, but it’s lineup is as unique as you’ll find at any festival out there.

This year the festival sports a lineup as diverse and interesting as they come: The Haxan Cloak, HEALTH, Perfume Genius, Viet Cong, Jenny Hval, Lydia Ainsworth, Weyes Blood, Actress, Wolf Eyes, and many more. The festival, in it’s 4th year, features curation from Basilica Hudson’s founders, Melissa Auf der Maur and Tony Stone, along with Pitchfork managing editor Brandon Stosuy and Brian DeRan of Leg Up Management.

Last year was my first time up to the festival (as well as Hudson, New York – a 2 hour train ride, or drive from the city), and I was impressed in every way imaginable. Not only does it features a wide range of artists, but there’s something cool about seeing bands in an industrial building. Everyone there is for the music, enjoying a bite to eat, a beer, or taking in some art. There are no flags, flower crowns, or go pros. It’s a festival without all the music festival headaches.

You can find photos and a recap of last year’s festival right here. Both two-day, and single day tckets for the festival are still currently available at this link. You can find more information about the festival at their website, facebook, instagram and twitter.

I’ve also shared the lineup and set times in full below.

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Last month Natalie Prass played to a sold out Bowery Ballroom, the rescheduled show from her postponed performance in May, which she had to cancel right during doors because of an illness that left her unable to perform. It wasn’t too long a wait, and if anything, the show had one of those “we’re all in it together” sort of feelings which always makes any show better.

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Brooklyn band Wilder Maker opened the show, as they were originally booked to in May as well. They joked about finally getting to play the show, and were just happy for it to finally arrive. They delivered a warm set of indie-folk, with a calming, almost timeless factor to it. They delivered it in a tight fashion, impressing all those lucky enough to arrive early enough for their set.

Even though I just saw Natalie Prass perform at Rough Trade NYC not all that long ago, I had to catch her again. Her self-titled album (released via Spacebomb Records/Columbia Records) has served as her breakthrough, captivating large-scale audiences such as Bowery Ballroom.

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With more time with the record, the Bowery crowd was singing along to every word, making Prass feel right at home. Her record pops out of the speakers live, working it’s magic all over again. Songs like “Bird Of Play” and the almost too good to be true “Why Don’t You Believe in Me ” come to a crisper, fuller realization when played live. She worked in her scarily good cover of Janet Jackson’s “Any Time, Any Place” and showcased a few new songs. She even was kind enough to throw out a bunch of bananas to fans who were in need. What else could you ask from a Monday night?

Find the setlist posted below, along with photos of both Natalie Prass, and Wilder Maker.

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1_Super Furry Animals_4Knots Music Festival

Closing out 4Knots Music Festival this year was Super Furry Animals, a great booking by the festival, as the Welsh psych-rockers don’t play all that often. I wasn’t sure I’d get to see them anytime soon, or possibly at all, so this was one hell of a get. It was their first time playing in North America since 2009.

The group ran through all of their greatest hits, with Gruff Rhys leading the way with different costumes, helmets, masks, and cue cards for the audience. Their experimental rock fully took over the entirety of Pier 84, working its magic with powerful precision. Fans and the band alike were lost in the specialty of this moment, one that may not happen again for a while.

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Many people dub them one of the best live acts in the game, and after finally witnessing a performance, I can say they’re not too far off. I mean, who else ends a show dressed in yeti costumes (in the summer!), with their guitars crossed in the air? If that wasn’t enough, some easy to interpret “The End” cue cards were a nice finishing touch, not just for their set, but for this years 4Knots Festival.

Find some more photos from their 4Knots set posted below, along with the setlist.

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1_Stephen Malkmus and The Jicks_4Knots Music Festival 2015

Over the years you can always rely on 4Knots Festival (as well as the Siren Music Festival before the change) to book some great classic rock bands. Last year we got Dinosaur Jr. and one of the headliners this year was Stephen Malkmus and The Jicks.

It was my frist time seeing Malkmus play in any capacity, a little bit of redemption after missing Pavement’s reunion shows thanks to college, although that one will always hurt. But it was great to see the master at work, effortlessly breezing through his catalog, including his latest effort, Wig Out at Jagbags, which Matador released last year.

Find some more photos from their 4Knots performance posted below.

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1_Twin Peaks_4Knots Music Festival 2015

One of the sets I was most looking forward to at 4Knots this year was from the exciting as all hell Chicago rockers Twin Peaks. It’s scary to think that these guys are really only getting started, as they’re one of my favorite up and coming rockers in the game at the moment.

Not only did Twin Peaks, who extended their lineup to a 5-piece, live up to my lofty expectations, but they somehow went beyond it. The group ripped through a set, sending all the youngsters in the front rows into a blissful shitshow. Twin Peaks made it look so easy, and so fun. The set was my favorite performance of the entire day, which is saying something considering that Stephen Malkmus and Super Furry Animals were still on deck. But when a show ends with the group going into the photo pit as they finish their last riff, it’s a pretty difficult thing to top.

Twin Peaks are currently recording their new album, which will be released soon enough via Fat Possum. They’ll return to New York soon enough for a supporting slot

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1_Mikal Cronin_4Knots Music Festival 2015

I missed Mikal Cronin’s previous performance at Bowery Ballroom this spring, making his stop in at 4Knots this summer as convenient as they come. He an his band ran through the offerings from his most recent album MCIII, released via Merge Records.

After seeing Cronin play alongside Ty Segall countless number of times, it’s always a treat to see him leading the pack. The California singer’s anthem’s sounded brisk and full of the west coast air, fitting for the California-esque heat that cast down on Pier 84 that day.

Cronin will return to New York soon for a performance at Brooklyn Bowl on September 19. Tickets are still on sale.

Find more photos from his 4Knots performance below.
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1_Screaming Females_4Knots Music Festival 2015

It’s hard to believe the last time that I saw Screaming Females was when they opened for Arctic Monkeys in 2009, during the Humbug tour, back when Arctic Monkeys could still play a place like Terminal 5 (for two night, but still). I don’t know how I went six years without seeing Screaming Females shred, but it’s a mistake I won’t make again.

The New Brunswick, New Jersey trio of Marissa Paternoster, Jarrett Dougherty, and King Mike have been relentlessly touring in support of new album Rose Mountain, which was released earlier this year via Don Giovanni Records. The group ripped into track after track of thunderous garage rock goodness, the sort of face melting stuff that just doesn’t come around anymore.

My apologies, Screaming Females. Next time you’re in New York, you’ll see me there.

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1_Happyness_4Knots Music Festival 2015

English rock trio Happyness made their live return to New York for the 4Knots Music Festival, marking my first time seeing them since their stop at Pianos during CMJ last fall. The stop came in support of their rather lovely debut album Weird Little Birthday, which got released in the U.S. this year via Bar/None Records, even though it was originally released last year in the UK.

The group were a perfect fit for a bill at 4Knots, with their dreamy, somewhat leisurely chill brand of English rock, fitting in all too well. The group seemed to get even better and more confident since CMJ, which only has me more excited for album number two. Don’t sleep on these guys, their up to plenty good.

Find some more photo from their 4Knots performance posted below.

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1_Meatbodies_4Knots Music Festival 2015

Last time I saw Meatbodies was during the final month of shows at Death By Audio last November. So seeing them play 4Knots alongisde a giant boat under the sun was a bit of a different atmoshpere, but the band still rocked just as hard, if not more so.

The group, which used to be known as Chad and The Meatbodies, has really became a full band effort, ripping through the tracks of their 2014 s/t debut album (released via In the Red) with purpose, getting the faithful crowd the rowdiest it had been up to that moment. Their set was most memorable, and one of the first great sets of the young afternoon.

Find some more photos from their 4Knots performance posted below.

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1_Heaters_4Knots Music Festival 2015

Michigan psych-trio Heaters delivered a simmering set at 4Knots Festival this year, a perfect partner in crime for the blistering summer heat that greeted us that date. The group are no strangers to the scene, but I believe that they’re about to make a real break out very soon.

They’ll release their new album Holy Water Pool on September 25 via Beyond Beyond Is Beyond. Based on dreamy as all hell single “Gum Drop,” it’s going to be a good one.

Find some more photos from their 4Knots performance below, and check out a stream of “Gum Drop.”

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