Avey Tare is one of the members of our much beloved Animal Collective. He finally joins the club with his first official solo release with Down There. The album doesn’t officially drop until October 26th (via Paw Tracks), but it leaked this weekend and I’m about to give it my first listen. I decided to bring you all along with me once again with a live blog of my first listen.
Once again, if you download the leak try and support Avey in some way. Pre-Order the album or buy it when it comes out, buy Animal Collective gear, or even just spread the word about Avey’s music. Leak’s are emerging as a part of the music listening process and if we find a way to adapt to it, and even embrace it, then we may be able to make it work.
I am using a pair of headphones for my first listen. Like many AC releases, I have a hunch it will do well with a nice pair of headphones. I’m excited to see what Avey has instore for us. Let’s go Down There:
1. Laughing Hieroglyphic – Things kick off with a murky satanic feel due to underwater sounds and some creepy spoken word. I’m being hit with various layers of sound, including an accordion. Didn’t see that coming. Avey’s ever so familiar vocals come in and sound crisp and clear. Guiding us through what sounds like a murky wave of sound. It’s a long track – almost at seven minutes long, but you won’t be checking your watch. Things move along nicely. There’s a lot of emotion in his voice, and it goes pretty well with everything. I’m pretty impressed with what Avey has going on here. Very interested to see where else the album goes. 4:55 p.m.
2. 3 Umbrellas – Steady music that is upbeat and cheerful. A little bit of Animal Collective’s presence is certainly heard here. I’m all over Avey’s Beach Boys influenced vocals. Sounds really nice. Song flew by pretty fast. I really liked this one. 5:05 p.m.
3. Oliver Twist – A lot of people have been praising this one, so I’m excited to hear it. Starts off with some more murky vocals over a slow but steady beat. Slowly the beat is picking up along with the rest of the song. A lot of cool effects tucked away behind his voice. Absolutely adored the little “hmm hmm” part that appeared midway through. This one is an absolute winner, I’m digging this a lot. Everyone was right, this is most certainly a stand out. Lots of cool ideas spread throughout it’s 4:19 runtime. 5:11 p.m.
4. Glass Bottom Boat – The whole album has these quick spoken word dialogues that are weaving in out of a water inspired story. Not sure what to make of it yet. Glass Bottom Boat starts with one and then becomes a quick instrumental that gave off feelings of sadness. 5:14 p.m.
5. Ghost Of Books – This one sounds like a creepy experience within the water, as you drown faster and faster. An amazing looping beat that sounds every bit as trippy as Avey’s vocals. Once everything comes together like a puzzle piece, it just clicks. I can’t explain it, but I’m feeling totally blissed out and immersed. 5:18 p.m.
6. Cemeteries – “Cemeteries” is aptly titled. It’s a sad, lonely song that could be a fitting soundtrack for sad ghost’s journey. This is a really beautiful moment from Avey. Around the 2:16 moment it almost sounds like Panda Bear is calling out to Avey. It makes good use of samples and effects putting the listener in an abandoned cemetery, with nothing to hold onto but their thoughts. 5:22 p.m.
7. Heads Hammock – Avey’s vocals sound very AC at first, before he alters it more and more as the song ends. Not too blown away by this. 5:26 p.m.
8. Heather In The Hospital – The beginning gives me a “Bluish” feel. It doesn’t maintain this feel but it takes off nicely. Nice vocal harmonies through spread evenly over the background. Nice. 5:29 p.m.
9. Lucky 1 – Interesting choice to use the album closer as the first single. It makes sense once you wrap your head around the song and get lost it it’s greatness. This is like Avey’s triumphant step into the spotlight, proving his worth to the collective. 5:33 p.m.
Overall, a solid first listen. I think that this album certainly sees benefits from a listen on headphones. A lot of sparse details and effects that sound better packed tight over your ears. The album as a whole is pretty cohesive. The songs move smoothly to one another providing flawless transitions. There are a lot of nice moments but there really aren’t any heavy handed favorites which doesn’t surprise me. This is an album that your going to listen to as an album. The songs will probably benefit from the others, sounding better as a whole than individual pieces. Some songs did stand out more than others but it’s certainly a well balanced album.
The album is a perfect fall album. It’s dark and it sounds like a journey through gray waters. Avey wanted it to sound appropriate for the Halloween season, and he certainly succeeded.
Like all Animal Collective releases, we’re going to need multiple listens to truly appreciate what’s going on. Overall, I’m pretty satisfied with Down There upon one listen. Avey Tare certainly proved his worth. I was able to detect what qualities he brings to Animal Collective.
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