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We All Want Someone’s Best Songs Of 2017

By Will Oliver, January 12th 2018

[artwork by Anthony Bauer]

And the time has come for the one post that all my friends actually read on these here pages, my best (or favorite) songs of 2017. These are the songs that I obsessed over throughout all of last year and many are still getting heavy rotation into the new one.

You’ll find select highlights from many of the albums that appeared on my best albums list but also a few new acts who blossomed or select songs that stood out on albums that didn’t quite shine as bright. Either way, I hope that you find at least one new song or artist that you didn’t know beforehand and that they make your day that much brighter. Thanks again for sticking around with us for another year and here’s to a bigger and better year in 2018.

As usual, the list is posted in a countdown format from 100-1 and I have made a Spotify playlist which you can find here or embedded at the very end of the post. All the songs are in there except for Ty Segall’s “Orange Color Queen,” as the album is not on Spotify.

Without further ado, here are my favorite songs from 2017:
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We All Want Someone’s Best Albums Of 2017

By Will Oliver, January 9th 2018 — with 4 comments

[Artwork by Anthony Bauer]

Was 2017 a good year for music? Was it a bad year? Who knows, it seems like every year your social media pages are bombarded with think pieces about it being the best year of music ever, the worst year, the end of rock music, or the album as we know it. But every year I seem totally and utterly overwhelmed by the sheer amount of musical releases in a year. It’s one thing to keep up with the high volume of new releases that seem to come out at an increasing pace with every passing week. Before you know it, the year is over and you’re somehow trying to rank all the stuff that occupied your ears.

Whether it was alone in your room, on the subway, stuck in traffic on the highway, or at a party with friends, albums have the power to create literal soundtracks for our lives. While these rankings are where I am at during this particular moment in time if you checked back in with me in a couple of weeks who knows how it would change. But rankings aside, these are a bunch of albums that had some sort of effect on me throughout the year.

Using the word best is course objective, so if you will, these are my favorite albums of 2017: Read the rest of this entry »

Operators at Mercury Lounge (April 5, 2017)

By Will Oliver, April 9th 2017

Dan Boeckner is the Canadian Ty Segall (I’m aware that he’s been at it long before Ty), a man who won’t tire at all, constantly releasing new music with various projects, seemingly never taking a break. After the big-time return for Wolf Parade last year, he’s back at it with Operators, his electronic-rock band that also features multi-instrumentalist Devojka and drummer, Sam Brown.

A new Operators album is on the horizon via Last Gang Records, hinted by their new tour this year that saw them return to New York earlier this week to play a pair of shows at Rough Trade and Mercury Lounge, the latter of which was sold out and the one I caught.
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Tokyo Police Club at Bowery Ballroom (January 20, 2017)

By Will Oliver, February 14th 2017 — with 1 comment

In 2007, a young Canadian rock group named Tokyo Police Club came sprinting out of the gate with their energetic debut EP A Lesson In Crime. It’s been a full decade since then, and although Tokyo Police Club may not have reached the impossible expectations unfairly put on them back in ’07, they’ve since churned out a bunch of good albums and continue to chug on with the band throughout the years. It’s a rare bit of  longevity, when most bands that exploded on the blog scene with them have since perished.

They celebrated the 10th anniversary of A Lesson In Crime with a special tour that saw them play the EP in full, along with a set of new songs and old favorites, a full reflection of their career of sorts. The tour stopped into New York for a pair of shows at Bowery Ballroom and Music Hall of Williamsburg.

We caught the Bowery show on January 20, which featured an opening performance from the young but hot-rising Brooklyn band Charly Bliss. The young crowd was very much into their set of 90s-inspired grunge rock, and even had a section of the crowd in the front section moving. They’re set to release their debut album Guppy on April 21 via Barsuk Records.

Find photos of both their set and Tokyo Police Club’s posted below, along with TPC’s setlist.
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