Last month Natalie Prass played to a sold out Bowery Ballroom, the rescheduled show from her postponed performance in May, which she had to cancel right during doors because of an illness that left her unable to perform. It wasn’t too long a wait, and if anything, the show had one of those “we’re all in it together” sort of feelings which always makes any show better.
Brooklyn band Wilder Maker opened the show, as they were originally booked to in May as well. They joked about finally getting to play the show, and were just happy for it to finally arrive. They delivered a warm set of indie-folk, with a calming, almost timeless factor to it. They delivered it in a tight fashion, impressing all those lucky enough to arrive early enough for their set.
Even though I just saw Natalie Prass perform at Rough Trade NYC not all that long ago, I had to catch her again. Her self-titled album (released via Spacebomb Records/Columbia Records) has served as her breakthrough, captivating large-scale audiences such as Bowery Ballroom.
With more time with the record, the Bowery crowd was singing along to every word, making Prass feel right at home. Her record pops out of the speakers live, working it’s magic all over again. Songs like “Bird Of Play” and the almost too good to be true “Why Don’t You Believe in Me ” come to a crisper, fuller realization when played live. She worked in her scarily good cover of Janet Jackson’s “Any Time, Any Place” and showcased a few new songs. She even was kind enough to throw out a bunch of bananas to fans who were in need. What else could you ask from a Monday night?
Find the setlist posted below, along with photos of both Natalie Prass, and Wilder Maker.
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